CAM's British Art
Collection
7 October 2021 to 30 January 2022
Curators: Catarina Alfaro and Patrícia Rosas
The British Art Collection of the Modern Art Centre (CAM) of the
Calouste Gulbenkian Foundation (FCG) was consolidated between 1959
and 1965 with the acquisition of a series of works proposed by a
group of consultants from the British Council, providing a
relatively comprehensive panorama of British art from the first
half of the 1960s. The bulk of this collection began to be put
together after two major exhibitions in London in 1964. The first
of these, The New Generation: 1964, was held from
March to May at the Whitechapel Gallery, exhibiting artists and
paintings that now form the historical core of the CAM Collection,
with these works probably having been acquired following the
exhibition organised by the British Council and the FCG's UK
Branch. The second exhibition, entitled Painting &
Sculpture of a Decade and financed by the Calouste Gulbenkian
Foundation, was held at the Tate Gallery from 22 April to 28 June,
presenting some of this group of works that were subsequently
incorporated into the CAM Collection.
In selecting works to be acquired by the Foundation, the
consultants from the British Council seem to have given special
emphasis to more experimental practices of figuration, which
explored the formal inventiveness associated with abstraction and
included self-referential or autobiographical elements.
Currently, after its most recent acquisitions (the latest work
was incorporated into the collection in 2019), CAM's British Art
Collection comprises 472 works by 207 artists.
This collection was formed in parallel with a series of
initiatives promoted by the Calouste Gulbenkian Foundation, which
were of major importance for the development of Paula Rego's
artistic career. The first public presentation of her works in
Portugal occurred in 1961, at the Second Exhibition of
Fine Arts organised by the FCG. Following this, in
1962-1963, the artist achieved one of her expressly stated
objectives - to make contact with the London art world and
with other artists who had similar tendencies to her own - through
the programme of Scholarships for Professional Specialisation and
Advancement Abroad, promoted by the FCG's Fine Arts Department.
Finally, in 1965, the institution began to acquire an important set
of works by Paula Rego. Not only was this synchronicity crucial for
the history of the Calouste Gulbenkian Foundation, but it also
reveals the importance that both groups of works (those by British
artists and those by Paula Rego) have come to acquire in the CAM
Collection.
The exhibition at Casa das Histórias Paula Rego of 24 works by
16 British artists from the CAM Collection (including paintings,
drawings and prints) coincides with the largest ever retrospective
exhibition of her work at the Tate Britain, in London, which will
then travel to the European cities of The Hague and Málaga.
The works from the British Art Collection chosen for this
exhibition reflect experimental approaches in the field of
figuration by artists who, like Paula Rego, were mainly producing
their work in London in the 1950s and 1960s and who became
associated with the "School of London" - a concept developed by the
British Council for the international promotion of exhibitions that
included works by some of the British artists presented here, such
as Michael Andrews, Frank Auerbach, Leon Kossoff and David Hockney.
However, the representation of Paula Rego in the critical discourse
about the School of London is chronologically decontextualised in
relation to the pictorial practices and the formal and narrative
experimentalism that defined that school in the postwar period and
to which the Portuguese artist's painting from those years also
belongs. We must therefore question/re-examine the reasons for this
apparent omission which, in some ways, the formation of the CAM
Collection naturally seems to contradict.
For this exhibition, organised in the form of a partnership
between the Fundação Dom Luís I and the Modern Art Centre of the
Calouste Gulbenkian Foundation, works were selected from the
British Art Collection that were produced in the 1980s by artists
such as Maggi Hambling, Steven Campbell and Peter Howson, and
which, for chronological reasons, do not belong to the specific
context of the School of London, but are closely related to the
figurative universe of Paula Rego.